Emilia, 17, arrives at her Aunt Ines' hostel at the border between Argentina and Brazil, looking for her long lost brother. In this luxuriant jungle, where local myths and legends abound, a dangerous beast believed to be the spirit of an evil man taking the form of different animals seems to be roaming around. On a journey to sexual awakening, Emilia will have to confront her past in order to kill the beast.
You Are Not Alone (Danish Du er ikke alene) (1978) is a Danish coming-of-age film written by Lasse Nielsen and Bent Petersen, directed by Lasse Nielsen and Ernst Johansen and produced by Steen Herdel. Set in a Danish all-boys boarding school where one of the boys, Bo (Anders Agensø) develops a special relationship with the headmaster's young son Kim (Peter Bjerg). In the beginning of the film the headmaster is trying to get funding for a new gym for the school. The boarding school is likely a Christian one, as they have school prayer and the teachers keep referring to good Christian morals. This is a film not just about Bo, Kim, and their growing relationship, it is a true coming-of-age story. The filmmakers capture perfectly budding sexuality and inter-personal relationships, including the young women who work in the cafeteria
a nasty gang of older teens. In another plot line, a troubled student is expelled for displaying pornographic posters, and some of the students decide to protest this by walking-out of classes, the boy is eventually allowed to return to school so that he may graduate. At the year-end graduation ceremony, the boys present to the entire school
their families, a short film they have made all by themselves, based on the commandment Love thy neighbor. It also serves as the euphoric climax
ending to this film. 你不孤独(丹麦语: Du er ikke alene) ( 1978 )这部丹麦未来派电影是由Lasse Nielsen和Bent Petersen编剧,由Lasse Nielsen 导演,由Steen Herdel担任制作人 故事设在丹麦的所有男生寄宿学校,其中一名男孩,Bo (Anders Agens
oslash)与校长的儿子Kim (Peter Bjerg)培养出一种特殊的感情。在电影的一开始校长正试图为建立一个新的体操学校而筹集资金。这可能是一个基督教的学校,因为他们学校的老师为保持良好的基督教道德而每天作祈祷。这个电影讲述的不仅仅是柏,金,和他们日益增长的关系,它还是一个真正的未来的时代的故事。这部电影完美的捕捉了青少年的性萌发期和人际关系发展期,还描述了年轻妇女谁在食堂和一群肮脏的大龄青年。在另一项故事线,一个陷入困境的学生因为展示色情海报而被开除,还有一些学生步行出的班级而发起抗议游行,男孩最终获准返回学校,以便他能毕业。在今年年底毕业典礼,男孩代表整个学校和他们的家人发言,一部短片,他们已经尽一切本身的基础上,诫命“爱你的邻居” 。还以欣快高潮来结束这部影片。
与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).